Kostas Grigoreas: “Lyric – to Mikis” (Theodorakis)
for flute, cello & piano
Dimitris Fotopoulos (flute)
Evgenios Bensis (cello)
Dimitris Petrovas (piano)
Recording & Digital Mastering: Kostas Grigoreas
Video: Thanassis Dedes / Nakas Hall, Athens
Interview with Kostas Grigoreas @MovingClassics.tv – Germany
Kostas Grigoreas talks about his “soloist-composer” nature, how to be open to new ideas and how to use music tools to experiment with everything, without hesitation.
What does music mean to you personally?
It is difficult to answer. Music has been part of my life as long as I remember myself.
Do you agree that music is all about fantasy?
I agree, but I think that fantasy cannot function without reality. Combining both in a composition or performance, gives the essential contrast that leads to musical excitement.
If you were not a professional musician, what would you have been?
Probably an engineer, related to electronics. I love everything that is related with technology and I feel happy that I can use it to create, perform, record and promote music. On the other hand, if I was not musically talented, I would probably be happy as a recording engineer.
The classical music audience is getting old, are you worried about your future?
The music audience generally, is getting old. I think that most of the stuff that young people „consume“ now is far from what I should consider as music. I would call that stuff „entertaining audio products“ and I am OK with that. They are nice if you want to dance or (just) mention the problems of your life, but no, for me they are not the art of music. All these products are far, not only from classical music, but also from all other honest artistic music genres, like Traditional, Jazz, quality Rock and Folk, etc. The audience diminishes in every real music genre. It is sad, but it will pass…
What do you envision the role of classical music to be in the 21st century? Do you see that there is a transformation of this role?
Of course there is a transformation. The classical music performer is not anymore in his room practicing countless hours for the „one concert“. The classical composer is not anymore creating music „to be discovered“ some years later. Music technology and use of the internet has given new tools for everyday creation and performance. Reaching your audience is a completely different process, in comparison to the (even near) past.
When I say that classical music is searching for new ways or that classical music is getting a new face, what would come to your mind?
Classical musicians were never isolated. Absorbing ideas and feelings from other cultures and music genres was always an inspiration for all really talented artists. However, music from all over the world is now at our fingertips (and ears) all day long. It is normal that classical music should become more and more „open“. For me, that is a blessing. I can perform or create music as I want it, no obligation to be „tonal“ or „atonal“ or „serial“, etc. My artistic palette may include everything, without any guilt!
Do you think we musicians can do something to attract the young generation to the classical music concerts? How will you proceed?
I think that being honest and simple is enough. Young people don’t like the snobbish attitude in art. Of course, mixing sound with video, acting, dance, etc. can help to expand our audience. I like every creative collaboration of the arts. But I also like the simplicity of „just music“. To close your eyes and immerse yourself in music.
Tell us about your creative process. Do you have your favorite piece (written by you). How did you start working on it?
It i not easy to answer. I have been a guitar soloist for all my life and I cannot „escape“ from that attitude. Quite a lot of my guitar works were created to be performed by myself. However, some of them proved to be more suited to my performer’s personality and they have become „mine“, and maybe I love them more, as I enjoy them through performance. Some were suited to others, and they „went away“. Generally speaking, I see my music from a distance. Maybe it is normal, as I am a composer that needs motivation to make music. Most of the time, that motivation is the admiration for others, musicians or groups that finally perform them.
We, Moving Classics TV, love the combination of classical music with different disciplines: music and painting, music and cinematography, music and digital art, music and poetry. What do you think about these combinations?
We are musicians, but mainly we are artists. Collaboration with other arts is an obligation and a great motive for creation and artistic pleasure.
Can you give some advice to young people who want to discover classical music for themselves?
To listen as much as they can to the work of the great masters of our art, composers, performers, maestros. To be open to new ideas and (if they are technically educated) to use their music tools to experiment with everything, without hesitation. Classical music in the 21st century is the only music that really has no borders. Think about it. You are free to create or be in any style you want. You can even create your own unique style, no need to be labeled as experimental, traditional, jazz, rock, etc.
Now it is common practice in the media to say that classical music is getting into the consumption business, do you agree? We are speaking about the supply and demand rules and how to sell your “product”, in your case your compositions. How do you see it?
You cannot create honest art following the market rules. Innovation can rarely become profitable. Fake innovation yes, all media are full of clichéd audio products labeled as „brand new“. Of course, a work of art can become mainstream and profitable when it matures. Nevertheless, I believe that an artist must be free from market rules. That is why I think it is necessary for all kinds of fine art to be financially supported, preferably by the state.
What projects are coming up? Do you experiment in your projects?
I recently completed a recording project, a collection of guitar works by myself and other composers of the 20th & 21st centuries. Its title is „Kostas Grigoreas: Recording Guitarist”, and you can listen on youtube:
or buy at https://www.cdbaby.com/cd/kostasgrigoreas4
I am now recording some solo works, including my favorite guitar composition by Benjamin Britten „Nocturnal after John Dowland, op.70“. I am also preparing a collection of works by me, performed by various small instrumental groups.
To conclude, I should mention that I like to make music for solo instruments or for small groups where each instrument „plays a role“. Probably, my soloist-composer nature leads me to that.
Source: http://movingclassics.tv/fantasy-notes-interview-with-greek-composer-kostas-grigoreas/
Roland Dyens (1955–2016)
The news that Roland Dyens died has shocked the guitar-world, as he was one of the most important, most popular and most charismatic personalities of the contemporary guitar music; but with a range of audience by far exceeding the musical microcosm of the instrument.
With his triple role as a guitarist, composer and arranger, he has created works and concert experiences that defined critically the aesthetic and technical evolution of the classical guitar.
Roland Dyens was already a legend for guitarists and guitar lovers around the world. His early and dramatic death has nothing to add to that legend, only the feeling of a great loss to those who loved him as a musician and as a friend.
Grigoreas: Aegean Sketches (video & sheet music)
Composed for the Arion Guitar Festival, summer 2013, at Molyvos, Lesbos. Meant to be performed by the festival seminar student ensemble, taught and conducted by Eleni Skarkou.
The first part attempts to sketch the magical picture of Molyvos castle bathed in moonlight.
The second part attempts to sketch the narrow alleys of the island of Syros, In the Footsteps of Markos (Vamvakaris).
In the videos that follow, the music is performed by the Hesperia youth guitar orchestra, taught and conducted by Frangoulis Karayannopoulos.
Those interested may also download the score for free from:
1. Free-scores
or:
2. Musicaneo
Grigoreas: Bessy’s Valse (video)
Composed by Kostas Grigoreas
Performed by Bessy Diagoma (clas. guitar)
Album “Greek Guitarists play Greek Composers” (TIMBRO).
Listen & buy (cd or mp3) at http://www.cdbaby.com/cd/greekguitaristsplaygreek
Produced by Kostas Grigoreas & Notis Mavroudis (http://www.tar.gr – Online Musical Μagazine)
Download score at http://www.free-scores.com/download-sheet-music.php?pdf=47117
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Alfonsina and the Sea (song-video)
One of the most beautiful songs of the 20th c., inspired by the tragic death of the Argentine poet Alfonsina Storni, who threw herself into the sea at Mar de Plata.
(If video cannot be played on your device alternately try: https://vimeo.com/154036487 )
“Alfonsina and the Sea”, Ariel Ramírez (music), Félix Luna (lyrics).
Aliki Kayaloglou (song) & Kostas Grigoreas (clas. guitar).
Guitar transcription by K. Grigoreas. Arranged by Nikos Kypourgos.
Lyrics’ translation in Greek by Agathi Dimitrouka.
Album “Songs from Spain and Latin America”.
Producer: Manos Hadjidakis (Sirius).
2015 digital remastering by K. Grigoreas.
Ará-pa-pám (Little John’s Lullaby) from “Innocent Suite”.
Composed by Kostas Grigoreas and performed by Vassiliki Leondari (clas. guitar)
Album “Greek Guitarists play Greek Composers” (TIMBRO)
Listen & buy (cd or mp3) at http://www.cdbaby.com/cd/greekguitaristsplaygreek
Download score (all parts) at http://www.free-scores.com/download-sheet-music.php?pdf=46722
Album “Greek Guitarists play Greek Composers” (TIMBRO). Produced by Kostas Grigoreas & Notis Mavroudis (http://www.tar.gr – Online Musical Μagazine)
Grigoreas: “SUMMER MOODS” (Guitar by Kostas Grigoreas, live)
“Kostas Grigoreas in Concert” – a collection of live recordings.
“SUMMER MOODS”:◄1.Morning at the seaside, ◄2.Midday fiesta, ◄3.Sunset. Composed & performed live by Kostas Grigoreas –
Album: “Guitar in the Greek Mode”
(buy at http://cdbaby.com/cd/kostasgrigoreas )
Live at Pithagorio Amphitheatre-Athens. Produced by Panos Pitsios. Audio mastering K.Grigoreas. Guitar made by Alkis Efthymiadis.
Grigoreas plays Hadjidakis: GUITAR DIPTYCH
“Kostas Grigoreas in Concert” – a collection of live recordings.
“Guitar Diptych” by Manos Hadjidakis from the album “The Guitar Notebook of Hadjidakis” – arranged by Tassos Karakatsanis
(buy at http://www.amazon.co.uk/Tetradio-Gia-Kithara-Kostas-Grigoreas/dp/B001KQXXZC )
Live at Pithagorio Amphitheatre-Athens. Produced by Panos Pitsios. Audio mastering K.Grigoreas. Guitar made by Alkis Efthymiadis.
Grigoreas plays MEDITERRANEAN by Tzortzinakis (Video)
“Kostas Grigoreas in Concert” – a collection of live recordings.
“Mediterranean” by Kyriakos Tzortzinakis from the album “Grigoreas plays Tzortzinakis” (buy at http://www.cdbaby.com/cd/kostasgrigoreas2 )
Live at Pithagorio Amphitheatre-Athens. Produced by Panos Pitsios. Audio mastering K.Grigoreas. Guitar made by Alkis Efthymiadis.
Kostas Grigoreas 